The 1980s saw the birth of a new medium that took the world by storm: the pop video. And Tim Pope, a music fanboy-turned-video director, was at the forefront of this wild ride.
Shooting his first performance footage at a concert after smuggling a camera inside his trousers, Tim got his break directing the video for Soft Cell’s follow-up to ‘Tainted Love’. Work snowballed, and he was soon jetting back and forth across the Atlantic to feed the newly launched engine of MTV, making videos for The Cure, Queen, Talk Talk, Wham!, Hall & Oates, Siouxsie & the Banshees and The Bangles, among others.
From dressing Freddie Mercury as a giant Mediterranean prawn to being called a ‘funny little arsehole’ by David Bowie; hanging out with Neil Young on his family ranch or locking The Cure in a wardrobe and launching it off a cliff, Tim had a front-row seat on the excesses, egos and larger-than-life characters of the era. Capturing the improvisational mood of a time when directors worked guerrilla-style, money flowed freely and no idea was too wacky to pursue, I Shoot Rock Stars provides a fly-on-the-wall glimpse of an extraordinary cast of personalities, capturing the fizzing energy of this unique creative moment. More than anything, it’s the hilarious and frequently moving story of a music-mad kid who ended up working with his heroes, and who here chronicles his – and his industry’s – creative triumphs and follies in riotous style.
Shooting his first performance footage at a concert after smuggling a camera inside his trousers, Tim got his break directing the video for Soft Cell’s follow-up to ‘Tainted Love’. Work snowballed, and he was soon jetting back and forth across the Atlantic to feed the newly launched engine of MTV, making videos for The Cure, Queen, Talk Talk, Wham!, Hall & Oates, Siouxsie & the Banshees and The Bangles, among others.
From dressing Freddie Mercury as a giant Mediterranean prawn to being called a ‘funny little arsehole’ by David Bowie; hanging out with Neil Young on his family ranch or locking The Cure in a wardrobe and launching it off a cliff, Tim had a front-row seat on the excesses, egos and larger-than-life characters of the era. Capturing the improvisational mood of a time when directors worked guerrilla-style, money flowed freely and no idea was too wacky to pursue, I Shoot Rock Stars provides a fly-on-the-wall glimpse of an extraordinary cast of personalities, capturing the fizzing energy of this unique creative moment. More than anything, it’s the hilarious and frequently moving story of a music-mad kid who ended up working with his heroes, and who here chronicles his – and his industry’s – creative triumphs and follies in riotous style.
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Reviews
For 'Sex Dwarf', Tim threw a bucket of maggots over us as I ran around in a leather jockstrap. There was a moment when we all thought, perhaps this time we've gone too far. It's all in here.
Tim crashed the stage, camera on a fishing rod, chasing the shot he was seeing ... and the next thing I knew, he was pressing it into my forehead ... The book brought that moment vividly back.
Tim Pope is a true original, a genuine maverick, and I am very lucky and very happy to have been part of his bright and beautiful, dark and dangerous, and slightly preposterous ongoing story ... I am very proud to call him a friend
Tim Pope is completely unique in the landscape of film directors. His broad scope embraces music videos, feature films, television programmes and commercials. His remarkable talent never fails to dazzle. Many years ago he endeared himself to me because he was completely delighted and amused when a senior TV exec told him what we had made was "formless rubbish". If this book is half as good as that then it promises to be fantastic.
Tim Pope is, to my mind, the absolute dog's bollocks in the world of pop video. He is the OG, the Don, he literally wrote the book.
A dirty little page-turner from England's greatest music video director. Like the man himself, it made me laugh and weep - all at the same time.